Now that you got your first taste of the pudding, let us take a close look. In case you prefer to work with layers, you find more options yet easier to handle with the improved tools. L*a*b readout let you make precise color adjustments. You export the crop as a path in the PSD output file, effectively saving the uncropped image with a path. The layout in an overlay file is added to the image as a layer in a PSD output file, as are annotations and a watermark. You will find Capture One Pro 11 an even greater help. Finally, you pass on all these variables to the retoucher. You use an overlay for composition and layout. For the retoucher you make mark-ups and you save the art director’s crop. You often shoot tethered with an art director and client participating in the process and a retoucher doing the work after the shoot. The workflow with layers is more streamlined and you can apply Presets and Styles on layers. You will find Capture One Pro 11 a great help with more tools on layers, advanced mask options, more flexible Auto Adjust. When you process your raw images to TIFF or JPEG in Capture One, your work is done. You frequently use the different Auto Adjust options and Styles to give your images the finishing touch. You mostly import from the card and do all the editing in Capture One Pro. First, I make a distinction between two types of Capture One users, the all-in-one, and the retouching-all-the-way user. That is quite an achievement and I am going to show you how. It allows you to do your work better, creating better images in less time and effort. Are you doing all the edits yourself and in Capture One only, or do you have a retoucher to whom you need to pass along your instructions? Either way, you will enjoy the new tricks and tools Capture One 11 has up its sleeve.Ĭapture One Pro 11 lets you work smarter.
This Capture One Pro 11 review covers what is new in Capture One and how it can benefit you. Facebook Tweet Fast, Powerful, Flexible and Versatile
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